This is a stitch-up
National Geographic on the secret operation to move the Bayeux Tapestry from the Bayeux Museum in France to the British Museum in London while the former undergoes a two-year renovation.
For the BBC, Deborah Nicholls-Lee considers why the 11th-century masterpiece’s tale of a contested throne feels so familiar today: “‘Chest-thumping machismo’: The Bayeux Tapestry reveals the bloody, bawdy truth about the Middle Ages.”
“It’s an artwork depicting a medieval version of today’s digital manosphere: an ideology and world centred on hypermasculinity and men’s experiences,” Nicholls-Lee writes. “And a world where size matters.”
The way Lindsay Beyerstein sees it, “The world-burners have always been losers with good PR.”
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